by W!LD RICE
1826. Sir Stamford Raffles lies on his deathbed, delirious with dreams and hallucinations, whilst his wife Sophia frantically records his biography. A giant Rafflesia blossom invades his bedroom; he meets his deceased first wife Olivia, and encounters a talking statue who bears prophecies of greatness.
As his life flashes before him, we witness his birth at sea, his early voyages, his triumphant founding of Singapore, and his eventual tragic downfall €”with his children dead of tropical diseases, his research destroyed in a burning ship, and himself bankrupted and diagnosed with syphilis. The Last Temptation of Stamford Raffles is written by multi-talented playwright and poet Ng Yi-Sheng, whose last play, 251, based on the life of Annabel Chong, played to packed houses. Directed by Christina Sergeant (Furthest North, Deepest South, The Hypochondriac), this is an unforgettable journey into the mind of a legend. Was Raffles a wily schemer or an enlightened reformer? What kind of legacy did he leave behind on an island he called the €˜child of my own’? €œ251 is worth seeing not only for its success at putting Chong's dubious "achievements" in perspective as performance art, but also for pushing the boundaries of what is acceptable subject matter for a Singapore stage production. € TODAY The Last Temptation of Stamford Raffles was a finalist at ACTION Theatre’s €˜Theatre Idols’ festival in 2007.
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